As a young man the Polish-French pianist Vlado Perlemuter became fascinated with Maurice Ravel’s music, and he managed to persuade Ravel to teach him for several months. Perlemuter then became one of the most important champions of Ravel’s piano music. To the end of his 98 years Perlemuter was probably more closely associated with Ravel’s music than the music of any other composer. There was a good reason for that: Perlemuter’s style as a musician was especially well suited to Ravel.
Early in his career Perlemuter spoke of how much he admired Busoni and Rachmaninoff, two pianist-composers whose style he described as “orchestral.” You can hear an orchestral piano sound in Perlemuter’s playing too. He was sharply attentive to the architectural structure of the music, and he could produce remarkably weighty and complex sounds at the piano.
It is no coincidence that Ravel turned many of his piano pieces into orchestral gems. He seems to have been a composer who thought in deeply orchestral terms, and he was one of the great masters of orchestral color and texture. Of course, Ravel’s piano music can’t duplicate the range of sound that an orchestra can produce, but it still has especially orchestral qualities. Ravel’s piano can be shimmering and dense at the same time. However, the more common approach to Ravel seems to emphasize only its brilliance. If you’re used to crystal-clear Ravel performances, then Perlemuter’s Gaspard de la nuit might sound cluttered at first. In fact, though, Perlemuter was one of the few who can relish the depth and heft of Ravel’s textures without drowning in them.
Perlemuter gave this videotaped performance in 1991, when he was 87 years old. Even at his advanced age, Perlemuter’s technique was equal to the task, and his interpretive vision was undiminished.
Performed by Vlado Perlemuter (piano) (23 minutes)